Messenger of Dionysos · Mused by Apollo

In ancient times, Satyr was the horned and horny messenger of Eleusinian forest god Dionysos. He mesmerized the youth of nearby villages with the musical magic of his flute and made them dance till broad daylight. In our common present, the spirit of Satyr inhabits the body of a human boy. Searching for a new way to spread the vibe of the forest, Satyr switched to SL and CDJ instruments, which fit the job quite nicely.

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The Final Queensday - Reprise



The Final Queensday - Reprise

Amsterdam, April 30, 2015 - Actuarchaeologic research carried out along the shoreline of the Nieuwe Meer, a lake near Amsterdam, has yielded a curious artefact from the recent past. A recording, brimfilled with repetitive rhythms and undulant basslines, emerged from under the sylvan soil, entangled between the roots of trees. It seems to have been some kind of musical tool used to synchronize group activity, engaging an entranced state of mind and enhancing the psychosomatic interreactivity of a crowd of people.
Judging from the story behind this sonic relic, the people of the Neverlands were involved in a full-scale, national cerebralation known as The Final Queensday, one Sun in our past. Whether this tool is still implemental and its musical magic can be experienced in our common present, remains to be seen or -in this particular case- heard.


click here to play The Final Queensday on Mixcloud

· for more detailed informulation, follow this link
· to download this mix, follow this link


º

Namaskaramba !

.: goddess rave the queen :.

all text ⓦ Satyr Barbarossa (cc) 2015


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freakuently unanswered questions


? what is Satyr

! in ancient times, Satyr roamed the Eleusinian forests as the horned and horny messenger of Dionysos - the god of ritual intoxication. He mesmerized the youth of nearby villages with the musical magic of his flute, and made them dance till broad daylight.

? where is Satyr

! in our recent past, Satyr reincarnated in the concrete jungle of Amsterdam as a DJ. At age ten, he recorded his first mix, displaying his love for early hip hop and electro, and soon his tapes were in high demand. After the Second Summer Of Love, he got turned on by new dimensions of synthetic sound and ventured into the realms of acid-house, techno and trance music.

? does he still play flute

! the Panflute has become an artefact in captivity, held safe and sound in the archeological archive of the Vatican. Yet, ever since the early 1990s, up and until our common present, Satyr became increasingly skilled as a player of the SL & CDJ instruments, spinning various styles of eclectronica and edm alike, embracing a wide range of the bpm spectrum with remarkable sparkle.

Difficult to pigeonhole yet sharply focused on and specialized in ambidelic chillout, psytrance, tech trance, uptech and several kinds of steps; entertaining events for 50 to 50.000 people, by serving his spicy melange of clean cuts and dirty grooves, mixing it down and grinding it up from raw to smooth.

A few memorable events ecstasized by Satyr:
Amsterdam Dance Event (NL), Atmosphere (Berlin / D), Ballonnenfeest (NL), Burning Man (USA), Carnival (Varginha / Brazil), Club A (Sao Paulo / Brazil), Dance Valley (NL), Love & Magic (Oslo / Norway), Metsafestiwaal (Finland), Pi Club (Berlin / D), Q-Base (D), Senseblender fest (B), Universo Paralello (Bahia / Brazil), VooV Experience (D), and many more in Belgium, Brazil, Estonia, Finland, Germany, Greece, Lithuania, Norway, Portugal, Slovakia, USA & all over The Netherlands.*

* a detailed gigographic list will be added later



unless mentioned otherwise:
all text ⓦ Satyr Barbarossa,
(cc) 2016, CC BY-NC-ND 4.0

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